*Livestreams are Available for 48 Hours in Every Time Zone Craig Handy – saxophone George Cables – piano Essiet Essiet – bass Jerome Jennings – drums “Anyone serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists.” – All About Jazz Legendary pianist George Cables leads a quartet featuring three of his favorite collaborators: Saxophonist Craig Handy, bassist Essiet Essiet, and drummer Jerome Jennings. A major voice in modern jazz, Cables is celebrated for his fresh Interpretations of classic compositions and for his innovative style of writing. In addition to composing and arranging for his own albums, Cables has contributed to recordings by Dexter Gordon, Art Pepper, Freddie Hubbard, Woody Shaw, Bobby Hutcherson, and many others. Recently named an inaugural recipient of the 2025 Jazz Legacy Fellowship by the Mellon Foundation and the Jazz Foundation of America, Cables is described as a “humble keyboard genius with impeccable technique and a unique songbook.” The New York City Jazz Record hails him as “a piano giant,” while National Public Radio notes that his solos “reveal a deep sense of groove and pacing and a mind at work.”
*Livestreams are Available for 48 Hours in Every Time Zone Marquis Hill – trumpet Tivon Pennicott – tenor saxophone Emmanuel Michel – guitar Harish Raghavan – bass Dave King – drums “An established force in contemporary jazz.” – Financial Times Marquis Hill, one of the great trumpet artists of our time, leads an exciting and adventurous quintet featuring tenor saxophonist Tivon Pennicott, guitarist Emmanuel Michel, bassist Harish Raghavan, and drummer Dave King. Hill’s promise was recognized early by winning two highly prestigious competitions: the International Trumpet Guild Jazz Competition (2012) and the Thelonious Monk International Jazz Trumpet Competition (2014), which helped launch a career that continues to impress. Originally from the South Side of Chicago, Hill credits many of that city’s great artists for helping foster his development. Players like Von Freeman, Bobby Broom, and Willie Pickens, just to name a few. The New Yorker says, “His performances and recordings reveal a smart post-bop player who circumvents genre clichés by incorporating elements of hip-hop and contemporary R&B.” Downbeat adds, “The groove-laden arrangements provide the perfect soundscape for Hill’s fluid improvisational style, which, with its glass-like lucidity, recalls the crisp elegance of hard-bop stalwart Donald Byrd.”